• Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • FMTV
  • Socials
    • YouTube
    • Facebook
    • Twitter
    • Instagram
    • Flipboard
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Terms
    • Terms of Use
    • Privacy Policy

Flickering Myth

Geek Culture | Movies, TV, Comic Books & Video Games

  • TRENDING TOPICS:
  • Star Wars
  • Marvel
  • DC
  • Physical Media
  • Write for Us

Movie Review – Eighth Grade (2018)

May 2, 2019 by Tom Beasley

Eighth Grade, 2018.

Directed by Bo Burnham.
Starring Elsie Fisher, Josh Hamilton, Emily Robinson, Catherine Oliviere, Jake Ryan and Daniel Zolghadri.

SYNOPSIS:

On the verge of high school, an internet-obsessed young girl grapples with her place in the social hierarchy while vlogging about confidence and self-belief.

In the vast canon of American high school movies, the order of the day is always to reflect the politics of the period and the insecurities and issues of that generation’s young people. High school serves, in many ways, as a microcosm for the world as a whole, with society’s implicit strata and cliques made explicit by the cruelty and tribalism of teenagers desperate to portray themselves as cool. It’s interesting, in that respect, to see musical comedian Bo Burnham’s directorial debut Eighth Grade alter the script by shifting focus slightly to middle school – an inherently awkward transitional period of education.

Burnham’s thesis, crystallised around the central character of Kayla – played with exquisite, jittery control by teen actor Elsie Fisher – is that this age group is uniquely positioned to be vulnerable to the anxiety-inducing power of the modern internet. These are young people determined not to be the kids they were in elementary school and equally determined to reach the quasi-adult status of high school as soon as possible. For today’s teens, known as Gen Z, that feeling is amplified and toxified by the omnipresence of social media, which creates a world in which everyone seems to be having more stuff, more fun and more sex than you are.

Kayla doesn’t fit into this world. She’s a shy, socially awkward teenager – voted ‘Most Quiet’ in her class – who has an adorably cringeworthy vlog in which she doles out trite life lessons in how to “be confident” and “put yourself out there”. She is permanently attached to her phone – earphones in at the dinner table is a common state – much to the chagrin of her clueless, lovable single dad (Josh Hamilton), who has simply no idea how to parent someone who lives half of her life online, in private.

 

She is at a point of social crossroads, simply waiting for high school to start and for everything to magically get better. Indeed, when she is given a high school buddy for a transition day – Emily Robinson’s sincerely lovely Olivia – it’s one of the few times she seems to genuinely find kinship. The genius of Burnham’s script, though, is that even this doesn’t shake the awkwardness and anxiety that consumes Fisher’s Kayla. We see her fiercely pacing her room while on the phone to Olivia and she frequently rehearses social interactions ahead of time. When she describes anxiety as getting the feeling of butterflies prior to a rollercoaster, without the exhilaration after, it’s a bracingly real depiction of a prevalent modern health concern.

Burnham’s sensitivity and honesty about his young demographic permeates every frame of Eighth Grade. This is at its most potent in his depictions of sexuality and consent, which are shocking without ever being sensational. A classmate Kayla fancies – he’s an aloof, boring-looking kid with intense eyes – thinks nothing about discussing her proficiency at oral sex as a prerequisite for dating, which sends her to YouTube tutorials and a scene with a banana that comes within a whisker of becoming a new take on American Pie‘s titular set piece. Later on, a game of truth or dare is the precursor to an act of chilling gaslighting, allowed to play out in its entirety by Burnham, turning the screw of awkwardness over and over again.

That’s not to say that the move into the director’s chair has stripped Burnham of his comedian roots. Eighth Grade is as funny as it is smart, with Fisher and Hamilton proving to be an excellent comedy double act, while the divide between parents and their kids – “no one uses Facebook now” – provides consistent chuckles. More frequently, though, the movie is a feast of the kind of cringe comedy that was the centrepoint of sitcoms like Peep Show. In Eighth Grade, though, the contort-in-your-seat-like-a-pretzel awkwardness is intensified by just how crushingly relatable it all is.

Burnham has delivered a directorial debut that immediately announces him as a filmmaking force to be reckoned with. His storytelling is as sensitive and natural as it is smart and perceptive, crafting a central character that allows leading lady Elsie Fisher to explode into the stardom that will immediately greet her if there’s any justice in the world. Whatever he does next, this elegantly gawky social study is one hell of a calling card for all involved.

Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★

Tom Beasley is a freelance film journalist and wrestling fan. Follow him on Twitter via @TomJBeasley for movie opinions, wrestling stuff and puns.

FacebookTwitterFlipboardRedditPinterestWhatsApp

Filed Under: Movies, Reviews, Tom Beasley Tagged With: Bo Burnham, Catherine Oliviere, Daniel Zolghadri, Eighth Grade, Elsie Fisher, Emily Robinson, Jake Ryan, Josh Hamilton

YOU MIGHT ALSO LIKE:

The Most Shocking Movies of the 1970s

Forgotten 2000s Comedies That Are Worth Revisiting

The Best UK Video Nasties Of All Time

The Must-See Horror Movies From Every Decade

Sirens from Space: Species and Under The Skin

The Most Overlooked Horror Movies of the 1990s

Tom Cruise vs. Keanu Reeves: Who will be 2023’s King of Action?

13 Underrated Horror Sequels That Deserve More Love

Forgotten Horror Movie Sequels You Never Need to See

The Most Iconic Cult Classics of All Time

FEATURED POSTS:

Is Tom Cruise the Last Great Big Screen Movie Star?

Crazy Vampire Tales from 1988: Vampire’s Kiss and Lair of the White Worm

Philip K. Dick & Hollywood: The Essential Movie Adaptations

Trending Now

  1. Kiefer Sutherland goes down the Rabbit Hole in trailer for Paramount+ spy series
  2. Orange Is the New Black: Ranking Every Season from Worst to Best
  3. Daniel Radcliffe says he no longer gets recognised by kids as being Harry Potter
  4. Milla Jovovich and Tom Hughes to star in Corto Maltese adaptation
  5. Arrow Video Frightfest 2019 Review – Dark Encounter
  6. Star Trek: Picard casts Annie Wersching as the Borg Queen
  • Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • FMTV
  • Socials
    • YouTube
    • Facebook
    • Twitter
    • Instagram
    • Flipboard
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Terms
    • Terms of Use
    • Privacy Policy

© Flickering Myth Limited. All rights reserved. The reproduction, modification, distribution, or republication of the content without permission is strictly prohibited. Movie titles, images, etc. are registered trademarks / copyright their respective rights holders. Read our Terms of Use and Privacy Policy. If you can read this, you don't need glasses.