Decades before the MCU and DCU, film fans had to mostly make do with a diet of offbeat superheroes; here’s a selection of the best of the 1980s, courtesy of Billy Oduory…
With Marvel and DC now dominating the superhero film space, the pool of films to choose from has continued to shrink, forcing many fans to go back in time to enjoy the thrill and creativity of classic superhero films. As far as decades gone by are concerned the 80s stand out as one of the most transformative decades for superhero films. From typical narratives like Batman (1989) and Superman II (1980) to unconventional tales like Flash Gordon (1980) and The Fly (1986) the 80s were never short of an interesting superhero that fans enjoyed watching.
While not all the films from the era achieved the blockbuster statuses of Terminator, Batman, and the like, many films with offbeat superheroes from the 80s still bear the signature creativity of the era. From the whimsical escapades of Baron Munchausen to the dark alleys of Darkman, these films transcend the confines of typical superhero tales to whisper timeless tales of the heroism of unnatural superheroes that modern classical superhero movie fans still enjoy watching.
The Adventures of Baron Munchausen (1988)
With a budget of over $40 million, The Adventures of Baron Munchausen was the most expensive European film production of its time. The film is set in the 18th century and follows the adventures of Baron Munchausen (John Neville), his misfit-henchmen, and an 8-year-old girl, who set out to save their city which is besieged by an Ottoman army. Directed by Terry Gilliam, the film’s fanciful approach to telling a superhero story is so enticing that it has earned a cultic following over the years.
What sets The Adventures of Baron Munchausen apart is its departure from conventional superhero tropes. Instead of relying on physical prowess or traditional heroism, the Baron’s superpowers stem from his ability to spin extraordinary tales and defy the boundaries of reality. This unconventional approach to superhero storytelling, coupled with Gilliam’s signature visual flair, makes the film a fascinating choice for those seeking a different kind of superhero experience.
Darkman (1990)
Darkman is Sam Raimi’s unconventional superhero film about Dr. Peyton Westlake (Liam Neeson), a scientist who becomes a vigilante after a brutal attack leaves him disfigured and seeking revenge. The film explores themes of identity, justice, and the consequences of unchecked scientific ambition which make it feel like it was way ahead of its time and therefore resonates better with a modern audience. In the film, Raimi blends horror elements with comic book aesthetics, making it feel like the 8os version of Gotham.
Neeson’s portrayal of the tormented protagonist adds depth to the character, as Westlake grapples with his own transformation and the blurred lines between hero and antihero. Darkman’s compelling exploration of the psychological toll of being a superhero also allows the audience to understand the lead character and even love him despite his shortfalls. The film presents an innovative approach to the genre, making Darkman a noteworthy and underrated entry in ’80s superhero cinema even though it was released just after the end of the decade.
The Dead Zone (1983)
Johnny Smith (Christopher Walken) wakes up from a five-year coma and realizes he has gained psychic abilities. Not only can he see people’s past, present, and future, but he can also alter them. As Johnny comes to terms with his newfound powers, he becomes entangled in a web of moral dilemmas and the responsibility that comes with knowing being able to change the future. The film is based on a Stephen King novel, so the creativity of the storyline is immense.
Directed by David Cronenberg, The Dead Zone blends psychological drama with elements of the supernatural, creating a film that transcends traditional superhero narratives. It also features a star-studded cast including Brooke Adams, Martin Sheen, and Tom Skerritt who complement the intricate writing with intense performances, making every character feel astonishingly real.
The Toxic Avenger (1984)
Melvin is a downtrodden 90-pound janitor who has known nothing but being ridiculed and bullied his entire life. However, a prank gone awry causes him to drop into nuclear waste, transforming him into a powerful but grotesque-looking superhero. The Toxic Avenger is a satire that embraces the absurdity of superhero origin stories while delivering a message about environmentalism and societal decay.
The Toxic Avenger has grown into a cult classic for portraying a “different kind of hero.” However, many people still don’t appreciate the depth of the film’s innovative approach to the genre. the film explores over-the-top violence and dark humor and subverts traditional superhero tropes with its unconventional protagonist. This ’80s gem still resonates with a modern audience thanks to its futuristic storytelling and unforgettable performances.
Condorman (1981)
Condorman is the story of a witty comic book writer who loves his characters so much that he decides to become a superhero himself. The writer in this case is Woodrow Wilkins (Michael Crawford), who uses his comic book designs to build suits and transform himself into the superhero Condorman, to take on the KGB and help a defecting Russian spy (Barbara Carrera). While not a box office sensation, the film’s addictive plot and comedic approach to superheroism are on a whole other level.
Condorman is a delightful fusion of action and humor, featuring a protagonist who, despite lacking superhuman abilities, fully embraces the superhero persona. The film’s playful tone and entertaining set pieces also contribute to its charm, establishing it as an endearing, although underrated, superhero classic.
Swamp Thing (1982)
This is Wes Craven’s horror-like superhero film that has since become a cult classic and grown into a whole franchise. Swamp Thing brought the DC Comics character to the big screen with a blend of horror and superhero elements. Starring Ray Wise as Dr. Alec Holland, the film follows a scientist who, after a tragic incident, transforms into the Swamp Thing, a superhero with plant-based powers.
Craven, known for his work in the horror genre, infuses Swamp Thing with atmospheric tension and practical effects that bring the creature to life. The film explores themes of humanity, environmentalism, and the consequences of unchecked scientific experimentation. While it is not as obscure as the other mentions in this list, it is still an impressive film that stands out as unique, but still underappreciated.
Big Trouble in Little China (1986)
John Carpenter’s Big Trouble in Little China takes a different approach to the superhero genre. Blending action, humor, and mysticism, the film tells the story of Jack Burton (Kurt Russell), a truck driver drawn into a supernatural conflict in San Francisco’s Chinatown. Like any 80s Chinese film, this is a lively mix of martial arts, fantasy, and comedy.
Russell’s charismatic performance and the film’s offbeat characters make Big Trouble in Little China a standout from the ’80s. The narrative’s unpredictability and genre-blurring elements contribute to its enduring appeal. While the lead character doesn’t portray superhero powers, he still takes on dark supernatural forces on a human-saving mission, making him a human superhero in every right.
Flash Gordon (1980)
Flash Gordon follows the intergalactic adventures of the titular character, George “Flash” Gordon (Sam J. Jones) as he attempts to save Earth from Emperor Ming the Merciless (Max Von Sydow) from the planet Mongo. The film is an exuberant celebration of ’80s sci-fi and the iconic comic strip created by Alex Raymond. Directed by Mark Hodges and featuring a Queen-infused soundtrack, Flash Gordon creates a sensory explosion that defines the film’s space opera aesthetic.
The film became another cult classic from the 80s, mostly because of the lively performances by Sam Jones, Max Von Sydow, Melody Anderson, and Ornella Muti. The script is also well-written, delivering an astonishingly intricate plot with dazzling heroes, and theatrically malevolent villains. While not a traditional superhero film, Flash Gordon has a campy charm that any superhero classic fan will enjoy.
The Fly (1986)
The Fly is another horror-themed David Cronenberg superhero film that, emerges as a grotesque yet compelling masterpiece, just like The Dead Zone. The film is about the brilliant scientist Seth Brundle (Jeff Goldblum) whose ambition to create a machine for teleporting turns awry when a fly enters the machine during testing. As a result, the fly’s DNA mixes with the scientists causing him to occasionally turn into a giant ugly-looking superhero.
As Brundle, Goldblum delivers a captivating performance, as his character transforms from an intellectual powerhouse to a tragic insect-human hybrid. Cronenberg’s meticulous direction and practical effects also elevate The Fly beyond the traditional superhero narrative, giving a captivating tale that has earned enduring praise from viewers over the years.
Hero at Large (1980)
This is another film about a regular person who decides to do a superhero’s work, and while he doesn’t fly from one building to another, his attempts are interesting to watch. Hero at Large follows Steve Nichols (John Ritter), a struggling actor in New York City who decides to take heroism to the next level by becoming a real-life superhero. The film is a delightful blend of superhero whimsy and romantic comedy, directed by Martin Davidson.
Ritter’s affable charm shines as Nichols takes on the persona of Captain Avenger after a chance encounter in a superhero costume. The film’s packed plot is a genuine exploration of what it means to be a hero in a world hungry for inspiration. Hero at Large may not boast grandiose battles, but its heartwarming take on everyday heroism makes it a charming addition to the tapestry of ’80s superhero cinema.
Billy Oduory