• Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • Flickering Myth Films
    • FMTV
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Socials
    • Facebook
    • YouTube
    • Bluesky
    • Instagram
    • Flipboard
    • Linktree
    • X
  • Terms
    • Terms of Use
    • Privacy Policy

Flickering Myth

Geek Culture | Movies, TV, Comic Books & Video Games

  • News
  • Reviews
  • Articles & Opinions
  • Write for Us
  • The Baby in the Basket

Avengers: Endgame editor explains how Marvel got away with a decapitation in a Disney movie

October 28, 2019 by Liam Waddington

In Avengers: Endgame, Thor (Chris Hemsworth) decapitates Thanos (Josh Brolin) in the opening act of the film, despite the fact that Marvel Cinematic Universe blockbuster is a Disney movie – a studio infamous for being children-friendly.

However, Avengers: Endgame co-editor Jeff Ford has discussed in an interview with Collider how Marvel Studios managed to include this violent moment in a Disney film.

“Most of us on the crew are parents and have young kids, and I think that’s part of who we are,” Ford said. “We think about that, but more importantly, it’s about the scale of the story. So for instance, is it necessary? And is it narratively significant? And is it warranted? If you can answer those questions and you feel you need something that could be shocking or violent, then what’s the most artful way to handle that so that you don’t alienate the audience?”

When it came to the God of Thunder slicing off Thanos’ head, the filmmakers weren’t focused on being horrifying, but establishing a storyline with Thor that would be consistent throughout the film.

“Part of the story is Thor dealing with something that he really shouldn’t maybe have done,” Ford said. “I mean, he loses it a bit there, and I think it’s also shocking and it’s also final, at least for Thanos in that timeline.”

SEE ALSO: It could be ten years before Marvel builds up to another Infinity Saga-level story, says Avengers: Endgame producer

“There’s an unreality to these movies. They are in a science fiction fantasy context,” Ford continued. “So there’s a level of that that is slightly abstracted from what is real. And so you still want them to have sort of a visceral impact, you want the characters to feel it, but at the same time, people are doing things that people sometimes cannot do.”

What are your thoughts on the use of violence in Avengers: Endgame? Let us know in the comments below or tweet us @flickeringmyth…

Avengers: Endgame stars Robert Downey Jr. (Iron Man), Chris Evans (Captain America), Mark Ruffalo (Hulk), Chris Hemsworth (Thor), Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Josh Brolin (Thanos), Brie Larson (Captain Marvel), Paul Rudd (Scott Lang), Don Cheadle (War Machine), Karen Gillan (Nebula), Chadwick Boseman (Black Panther), Tom Holland (Spider-Man), Sebastian Stan (Winter Soldier), Anthony Mackie (Falcon), Elizabeth Olsen (Scarlet Witch), Benedict Cumberbatch (Doctor Strange), Danai Gurira (Okoye), Benedict Wong (Wong), Chris Pratt (Star-Lord), Zoe Saldana (Gamora), Dave Bautista (Drax), Bradley Cooper (Rocket), Vin Diesel (Groot), Karen Gillan (Nebula), Pom Klementieff (Mantis), Tom Hiddleston (Loki), Gwyneth Paltrow (Pepper Potts), Evangeline Lilly (The Wasp), Letitia Wright (Shuri) and Tessa Thompson (Valkyrie).

Filed Under: Liam Waddington, Movies, News Tagged With: avengers: endgame, Jeff Ford, Marvel, Marvel Cinematic Universe

FMTV – Watch Our Latest Video Here

YOU MIGHT ALSO LIKE:

Not for the Faint of Heart: The Most Shocking Movies of All Time

Darren Aronofsky Movies Ranked from Worst to Best

The Most Terrifying Movie Psychopaths of the 1990s

10 Movie Franchises That Need To End

Six Overhated Modern Horror Movies

The Essential Andrzej Zulawski Films

The Next 007: 3 Actors Who Could Lead James Bond Into the New Era

The Goonies at 40: The Story Behind the Iconic 80s Adventure

7 Great Dystopian Thrillers of the 1970s

Friday the 13th at 45: The Story Behind the Classic Slasher

WATCH OUR MOVIE NOW FOR FREE ON PRIME VIDEO!

Top Stories:

10 Great Forgotten 90s Thrillers Worth Revisiting

Skybound’s Energon Universe coming to TV with Transformers / G.I. Joe crossover

Movie Review – Blue Moon (2025)

Why the 80s and 90s Were the Most Enjoyable Era for Movies

4K Ultra HD Review – The Return of the Living Dead (1985)

Movie Review – Springsteen: Deliver Me from Nowhere (2025)

Movie Review – The Thing with Feathers (2025)

Slow Horses Season 5 Episode 5 Review – ‘Circus’

Comic Book Review – Star Trek: Voyager – Homecoming #2

Movie Review – Die, My Love (2025)

STREAM FREE ON PRIME VIDEO!

FEATURED POSTS:

Forgotten 90s Action Movies That Deserve a Second Chance

The Essential Horror Movie Threequels

Who is the Best Final Girl in Horror?

LEGO Star Wars at 20: The Video Game That Kickstarted a Phenomenon

Our Partners

  • Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • Flickering Myth Films
    • FMTV
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Socials
    • Facebook
    • YouTube
    • Bluesky
    • Instagram
    • Flipboard
    • Linktree
    • X
  • Terms
    • Terms of Use
    • Privacy Policy

© Flickering Myth Limited. All rights reserved. The reproduction, modification, distribution, or republication of the content without permission is strictly prohibited. Movie titles, images, etc. are registered trademarks / copyright their respective rights holders. Read our Terms of Use and Privacy Policy. If you can read this, you don't need glasses.


 

Flickering MythLogo Header Menu
  • News
  • Reviews
  • Articles and Opinions
  • Write for Flickering Myth
  • About Flickering Myth
  • The Baby in the Basket