• Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • FMTV on YouTube
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Socials
    • Facebook
    • X
    • Instagram
    • Flipboard
    • Bluesky
    • Linktree
  • Terms
    • Terms of Use
    • Privacy Policy

Flickering Myth

Geek Culture | Movies, TV, Comic Books & Video Games

  • News
  • Reviews
  • Articles & Opinions
  • The Baby in the Basket
  • Death Among the Pines

Movie Review – Tankhouse (2022)

May 11, 2022 by Robert Kojder

Tankhouse, 2022.

Directed by Noam Tomaschoff.
Starring Tara Holt, Stephen Friedrich, Richard Kind, Christopher Lloyd, Joe Adler, Nadia Alexander, Austin Crute, Sarah Yarkin, Devere Rogers, Luke Spencer Roberts, Rachel Matthews, Carolyn Michelle Smith, Alex Esola, Joey Lauren Adams, and Andy Buckley.

SYNOPSIS:

After being blacklisted from the NYC theatre industry, two Upper East Side New Yorkers, Tucker and Sandrene, decide their only course of action is to move to Fargo, North Dakota, and start a theatrical revolution.

Marketing is irrelevant when it comes to the final product. It’s something I have said before, but Tankhouse is an egregious example where the publicity email positions the film under the animation banner. Technically, there is animation within co-writer and director Noam Tomaschoff’s (writing alongside Chelsea Frei) Tankhouse, but only as bookends to the story. It’s a confounding creative decision to use animation so sparsely because, at face value, the over-the-top whimsical, colorful personalities on display here feel like they could potentially come across less grating if the whole movie were animated.

These characters are supremely annoying in live-action form and don’t behave like real people. And that’s without getting into the crippling fact that what passes for comedy here is either lame, questionably offensive, or sometimes both. That statement is even weirder when you factor in that it’s hard to tell whether the filmmakers are trying to make a family movie or not regarding theatre as a community.

With such a cliché story, it’s also hard to overlook these flaws. Tucker and Sandrene (Stephen Friedrich and Tara Holt, respectively) are lovers failing to make it big in the New York theater scene, which becomes even more unrealistic when their interactive method of acting street-theatre ways inadvertently triggers a heart attack from their friend’s grandmother in the audience. Given their newfound reputation for unintentional manslaughter, no one in the vicinity is longer interested in booking them for roles. Sandrene’s parents are also done paying the bills for the freeloaders, advising them to give up the dream and obtain some real jobs. Naturally, they don’t listen but choose to search for work in Fargo, North Dakota.

While getting their bearings in a new state, the lovebirds also start rounding up a group of misfits to join the routine. They are left with no choice considering Sandrine’s former drama teacher Morten (Richard Kind, who is about the only one here who doesn’t completely embarrass himself) has lost that club and now works in the much more consumer-friendly activity of dancing. The characters Tucker and Sandrene gather range from a blind man who might not be blind, a pair of boys that turn out to be gay but feel like nothing more than outdated stereotypes, a man role-playing as a Viking, and some anxiety-ridden women (one of whom adorns emo fashion that feels disingenuous on behalf of the performance and filmmakers).

Together, they start practicing routines in an abandoned warehouse (the titular Tankhouse), except there’s never once a reason to cheer on these characters. Tucker is self-absorbed and pretentious, not in an endearing way to watch, either. He prohibits Sandrene from pursuing her dreams in the world of television and quickly shows his insecurities when she befriends another man. The script is also so focused on their dysfunction that there’s no room or time to draw any of the supporting cast beyond their basic personality traits. Tucker’s narcissism only worsens when he gets some bad news concerning his mentor Buford (Christopher Lloyd with nothing remotely interesting or funny to do).

Tankhouse tries to turn all of this into comedy but is frequently grating and wrongheaded, with only flashes of inspired silliness.

Flickering Myth Rating – Film: ★  / Movie: ★ ★

Robert Kojder is a member of the Chicago Film Critics Association and the Critics Choice Association. He is also the Flickering Myth Reviews Editor. Check here for new reviews, follow my Twitter or Letterboxd, or email me at MetalGearSolid719@gmail.com

 

Filed Under: Movies, Reviews, Robert Kojder Tagged With: Alex Esola, Andy Buckley, Austin Crute, Carolyn Michelle Smith, Christopher Lloyd, Devere Rogers, Joe Adler, Joey Lauren Adams, Luke Spencer Roberts, Nadia Alexander, Noam Tomaschoff, Rachel Matthews, richard kind, sarah yarkin, Stephen Friedrich, Tankhouse, Tara Holt

About Robert Kojder

Robert Kojder is a member of the Chicago Film Critics Association, Critics Choice Association, and Online Film Critics Society. He is also the Flickering Myth Reviews Editor.

FMTV – Watch Our Latest Video Here

YOU MIGHT ALSO LIKE:

Wild 80s Cult Movies You Might Have Missed

7 Chilling Killer Kid Movies You Need To See

The Craziest Takashi Miike Movies

The Rise of John Carpenter: Maestro of Horror

The Best UK Video Nasties Of All Time

Creepy Cabin Horror Movies You May Have Missed

8 Must-See 90s Neo-Noir Movies You Might Have Missed

Psycho at 65: The Story Behind Alfred Hitchcock’s Masterful Horror

10 Great Neo-Western Movies You Need To See

Great Creepy Dog Horror Movies You Need To See

Top Stories:

Marvel’s Daredevil: Born Again season 2 trailer sees the return of Jessica Jones

10 Essential Movies from 1976

Movie Review – Send Help (2026)

Movie Review – The Wrecking Crew (2026)

A Knight of the Seven Kingdoms Episode 2 Review – ‘Hard Salt Beef’

Movie Review – Another World (2025)

2026 Sundance Film Festival Review – Mum, I’m Alien Pregnant

Eight Essential Maika Monroe Performances

Movie Review – Return to Silent Hill (2026)

Movie Review – Mercy (2026)

FLICKERING MYTH FILMS

 

FEATURED POSTS:

In a Violent Nature and Other Slasher Movies That Subvert the Genre

Ranking Horror Movies Based On Video Games

The Essential Richard Norton Movies

The Goonies at 40: The Story Behind the Iconic 80s Adventure

  • Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • FMTV on YouTube
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Socials
    • Facebook
    • X
    • Instagram
    • Flipboard
    • Bluesky
    • Linktree
  • Terms
    • Terms of Use
    • Privacy Policy

© Flickering Myth Limited. All rights reserved. The reproduction, modification, distribution, or republication of the content without permission is strictly prohibited. Movie titles, images, etc. are registered trademarks / copyright their respective rights holders. Read our Terms of Use and Privacy Policy. If you can read this, you don't need glasses.


 

Flickering MythLogo Header Menu
  • News
  • Reviews
  • Articles and Opinions
  • The Baby in the Basket
  • Death Among the Pines
  • About Flickering Myth
  • Write for Flickering Myth