United States vs. Reality Winner, 2021. Directed by Sonia Kennebeck. SYNOPSIS: A state of secrets and a ruthless hunt for whistleblowers – this is the story of 25-year-old Reality Winner, who disclosed a document about Russian election interference to the media and became the number one leak target of the Trump administration. Sonia Kennebeck’s (National […]
2021 SXSW Film Festival Review – Recovery
Recovery, 2021. Directed by Mallory Everton and Stephen Meek. Starring Whitney Call, Mallory Everton, Anne Sward Hansen, Julia Jolley, Baylee Thornock, Jessica Drolet, Stephen Meek, Tyler Andrew Jones, Noah Kershisnik, and Justin Call. SYNOPSIS: Two directionless sisters brave a cross-country road trip to rescue their grandmother from a COVID outbreak at her nursing home. The last […]
2021 SXSW Film Festival Review – Our Father
Our Father, 2021. Written and directed by Bradley Grant Smith. Starring Baize Buzan, Allison Torem, Austin Pendleton, Corey Hendrix, Tim Hopper, Ann Whitney, Keith Kupferer, Guy Massey, Lance Baker, and D’Wayne Taylor. SYNOPSIS: Two estranged sisters go in search of their uncle, a mysterious figure who may hold the key to their father’s suicide and their […]
2021 SXSW Film Festival Review – Clerk
Clerk, 2021. Directed by Malcolm Ingram. Featuring Kevin Smith. SYNOPSIS: A documentary on the career and life of filmmaker and raconteur Kevin Smith. It won’t surprise anyone to learn that this travelogue of Kevin Smith’s inimitable filmmaking career is a for-the-fans outing above all else – after all, it’s directed by Smith’s longtime friend, documentarian Malcolm […]
2021 SXSW Film Festival Review – WeWork: Or the Making and Breaking of a $47 Billion Unicorn
WeWork: Or the Making and Breaking of a $47 Billion Unicorn, 2021. Directed by Jed Rothstein. SYNOPSIS: Explores the rise and fall of one of the biggest corporate flameouts and venture capitalist bubbles in recent years – the story of WeWork, and its hippie-messianic leader Adam Neumann. The latest documentary from Oscar-nominated filmmaker Jed Rothstein […]
2021 SXSW Film Festival Review – Not Going Quietly
Not Going Quietly, 2021. Directed by Nicholas Bruckman. SYNOPSIS: An intimate, inspiring look at activist and loving father Ady Barkan, diagnosed with ALS at age 32 and who, in spite of declining physical abilities, embarks on a nationwide campaign for healthcare reform. It’s no secret to anyone with their eyes open that the American healthcare system […]
2021 SXSW Film Festival Review – Woodlands Dark and Days Bewitched: A History of Folk Horror
Woodlands Dark and Days Bewitched: A History of Folk Horror, 2021. Directed by Kier-La Janisse. SYNOPSIS: Woodlands Dark Days and Days Bewitched is the first feature-length documentary on the history of folk horror, from the 1960s to today. There are few major film genres, if any, as stratified as horror, such that even the most […]
2021 SXSW Film Festival Review – Lily Topples the World
Lily Topples the World, 2021. Directed by Jeremy Workman. Featuring Lily Hevesh. SYNOPSIS: Follows 20-year-old Lily Hevesh – the world’s most acclaimed domino toppler and the only woman in her field – in a coming-of-age story of artistry, passion, and unlikely triumph. “If you have an odd interest, keep doing it,” are the wise words uttered […]
2021 SXSW Film Festival Review – See You Then
See You Then, 2021. Co-written and directed by Mari Walker. Starring Pooya Mohseni and Lynn Chen. SYNOPSIS: A decade after abruptly breaking up with Naomi, Kris invites her to dinner to catch-up on their complicated lives, relationships, and Kris’ transition. Mari Walker’s feature debut offers a perceptive – if slight – window into the difficulties faced […]
2021 SXSW Film Festival Review – Kid Candidate
Kid Candidate, 2021. Directed by Jasmine Stodel. Starring Hayden Pedigo. SYNOPSIS: The story of Hayden Pedigo, a 24-year-old experimental musician and his unlikely run for city council in Amarillo, Texas after his Harmony Korine-inspired spoof campaign video went viral. Irony is one of the defining pillars of contemporary culture, which combined with the ubiquity of the […]
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