In The Divine Order, Switzerland’s early 1970s struggle for women rights is represented by two families at the center of the movement, mainly Nora (Marie Leuenberger) who seeks a more meaningful purpose in life, fancying the prospect of working as a secretary upon seeing an opening in a newspaper advertisement. According to her husband Hans Maximilian Simonischek), she […]
53rd Chicago International Film Festival Capsule Review – The Square (2017)
Practice what you preach, no matter the circumstances. It’s the main take away from Ruben Ostlund’s (Force Majeure) Palme d’Or winner The Square, but also the easiest for a mainstream audience to grasp. Laced with satirical comedy regarding political correctness, morality, viral social media infamy, absurd jokes so erratic only the director himself could explain their purpose (how about […]
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