• Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • Flickering Myth Films
    • FMTV
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Socials
    • Facebook
    • YouTube
    • Bluesky
    • Instagram
    • Flipboard
    • Linktree
    • X
  • Terms
    • Terms of Use
    • Privacy Policy

Flickering Myth

Geek Culture | Movies, TV, Comic Books & Video Games

  • News
  • Reviews
  • Articles & Opinions
  • Write for Us
  • The Baby in the Basket

Comic Book Review – The Red Mother #12

January 11, 2021 by Calum Petrie

Calum Petrie reviews The Red Mother #12…

As we enter the final stage of the story for The Red Mother, we follow Daisy through the door and onto the other side. When passing through, we are brought into the final pages of a story that started 11 issues ago with a bizarre concept and broken victim. The road through Daisy’s story has been lined with deceit, heartbreak, manipulation, lies and half truths.
The character has experienced more in 12 issues than most people went through in all of 2020. Though not all the issues were winners, the story quality did suffer in the middle with less exciting plot development, yet overall it has never made me lose interest in Daisy and the mystery that was unfolding.

When we left off the door was open, the players took their places and finally pulled the metaphorical blindfold off of Daisy’s head to show her the grand scheme she was involved in. The way in which all the pieces fell into place made for one of the more impressive points in the series’ over-arching story, while making me instantly interested to finally see our large reveal.

Now we lay our eyes on the nearly fully reconstructed Red Mother and her Herald. The issue throws some very large and bizarre concepts to the reader, and more story being delivered within the twilight pages  was a strange move. Though it does put the reader in Daisy’s shoes, where talk of beings that have been lost for millennia finally returning, I felt somewhat out of my depth and wondering what was going on. Very much how I imagine our protagonist to be feeling.

The colours used in this final issue really convey the foreboding sensation delivered, the oppressive feeling that comes with the oversaturated red colour pallet. We gain a lot more insight that we are not in Kansas anymore, or well London I suppose. The artwork definitely backs up and creates new levels for the story to be delivered upon. The cover art for this issue alone might just be my favourite, where the horrific image hammers home the sense of horror and shock that I feel the series has been delivering all along.

The story rounds itself off in a bittersweet tone, one where we never know if there is going to be more down the line for Daisy or if this is the definitive end to her tale. I am torn in-between wanting and not wanting to know.  Can the reader be sure that this is where the story ends or will information delivered during the last issue lead us down a different avenue within the same universe but with new characters?

This is a strange situation indeed, I feel like I enjoyed yet didn’t love the ending to this tale, and that more story was given to us, just to be cast into the wind before we fully comprehend the larger meaning and ramifications of what was going to happen.

Rating – 8/10

You can follow me on Twitter – @Cetrie

 

Filed Under: Comic Books, Reviews Tagged With: Boom! Studios, Danny Luckert, Jeremy Haun, The Red Mother

FMTV – Watch Our Latest Video Here

WATCH OUR MOVIE NOW FOR FREE ON PRIME VIDEO!

YOU MIGHT ALSO LIKE:

The Best 90s and 00s Horror Movies That Rotten Tomatoes Hate!

10 Horror Movies That Avoided the Director Sophomore Slump

The Bourne Difference: The Major Book vs Movie Changes

Cannon Films and the Search for Critical Acclaim

The Essential Richard Norton Movies

Sin City at 20: The Story Behind the Stylish, Blood-Soaked Neo-Noir Comic Book Adaptation

Underrated 2000s Cult Classics You Need To See

Great Vampire Movies You May Have Missed

Peeping Tom: A Voyeuristic Masterpiece of the Slasher Subgenre

8 Great Cult Sci-Fi Films from 1985

Top Stories:

What would a $90 million opening weekend mean for Superman?

Vampirella to launch new story arc ‘Identitatem’ in September

Movie Review – Black Creek (2024)

10 Great Neo-Western Movies You Need To See

Movie Review – 28 Years Later (2025)

Movie Review – Bride Hard (2025)

Raindance Film Festival 2025 Review – Heavyweight

Carla Gugino joins Brad Pitt in The Adventures of Cliff Booth

STREAM FREE ON PRIME VIDEO!

FEATURED POSTS:

The Most Iconic Cult Classics of All Time

8 Essential Feel-Good British Underdog Movies

The Rise and Disappointing Disappearance of Director Richard Kelly

10 Great Action Movies from 1995

Our Partners

  • Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • Flickering Myth Films
    • FMTV
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Socials
    • Facebook
    • YouTube
    • Bluesky
    • Instagram
    • Flipboard
    • Linktree
    • X
  • Terms
    • Terms of Use
    • Privacy Policy

© Flickering Myth Limited. All rights reserved. The reproduction, modification, distribution, or republication of the content without permission is strictly prohibited. Movie titles, images, etc. are registered trademarks / copyright their respective rights holders. Read our Terms of Use and Privacy Policy. If you can read this, you don't need glasses.


 

Flickering MythLogo Header Menu
  • News
  • Reviews
  • Articles & Opinions
  • Write for Us
  • The Baby in the Basket