The King, 2019. Directed by David Michôd. Starring Timothée Chalamet,Robert Pattinson, Joel Edgerton, Ben Mendelsohn, Sean Harris, Dean-Charles Chapman, Lily Rose-Depp, Andrew Havill, Edward Ashley, and Thomasin McKenzie. SYNOPSIS: Hal (Timothée Chalamet) is a reluctant prince, one who drinks and womanises his way around the Kingdom, as those in power look on with disdain, concerned […]
2019 BFI London Film Festival Review – Tremors
Tremors, 2019. Directed by Jayro Bustamante. Starring Juan Pablo Olyslager, Diane Bathen, Mauricio Armas Zebadua, Sabrina de la Hoz, Maria Telon and Rui Frati. SYNOPSIS: In Guatemala, a man’s decision to come out as gay causes problems with his evangelical Christian family, not to mention his wife and kids. The opening scenes of Guatemalan drama […]
2019 BFI London Film Festival Review – The Disappearance of My Mother
The Disappearance of My Mother, 2019. Directed by Beniamino Barrese. Starring Beniamino Barrese and Benedetta Barzini. SYNOPSIS: A once-iconic fashion model strives to escape the world of images and disappear for good, but her son’s determination to make a final film about her sparks an unexpected collaboration and confrontation with the camera’s gaze. Beniamino Barrese’s […]
2019 BFI London Film Festival Review – Perfect 10
Perfect 10, 2019. Directed by Eva Riley. Starring Frankie Box, Alfie Deegan, Sharlene Whyte, Billy Mogford, William Ash and Nicola Wright. SYNOPSIS: An aspiring teen gymnast’s world is turned upside down with the arrival of the half-brother she never knew she had. Perfect 10 is the poignant charting of a new relationship between a brother […]
2019 BFI London Film Festival Review – Waiting for the Barbarians
Waiting for the Barbarians, 2019. Directed by Ciro Guerra. Starring Mark Rylance, Johnny Depp, Robert Pattinson, Gana Bayarsaikhan, Greta Scacchi, David Dencik. SYNOPSIS: In a distant, unnamed colonial outpost in the Middle Eastern desert, a Magistrate begins to question his loyalty to the Empire after the arrival of state security officers with morally questionable methods. […]
2019 BFI London Film Festival Review – Monsoon
Monsoon, 2019. Directed by Hong Khaou. Starring Henry Golding and Parker Sawyers. SYNOPSIS: Kit, a British Vietnamese man, returns to Saigon for the first time in over 30 years, after fleeing during the Vietnam-American War. Hong Khaou’s follow-up to his 2014 debut Lilting is a similarly sober offering that, despite its scant 86-minute runtime, is in […]
2019 BFI London Film Festival Review – Rose Plays Julie
Rose Plays Julie, 2019. Directed by Joe Lawlor & Christine Molloy. Starring Ann Skelly, Orla Brady, Aidan Gillen, Catherine Walker, Sadie Soverall, Annabell Rickerby, Joanne Crawford and Alan Howley. SYNOPSIS: An adopted girl seeks out her birth mother, only to be told she has no desire to meet her. With her interest piqued however, she […]
2019 BFI London Film Festival Review – System Crasher
System Crasher, 2019. Directed by Nora Fingscheidt. Starring Helena Zengel, Albrecht Schuch, and Gabriela Maria Schmeide. SYNOPSIS: On her wild quest for love, 9-year-old Benni’s untamed energy drives everyone around her to despair. The feature debut of writer-director Nora Fingscheidt dares to tackle a shockingly under-explored issue in cinema centered around troubled youths; uncontrollable anger, […]
2019 BFI London Film Festival Review – The King
The King, 2019. Directed by David Michôd. Starring Timothée Chalamet, Joel Edgerton, Sean Harris, Robert Pattinson, Ben Mendelsohn, Dean-Charles Chapman, Tom Glynn-Carney, Lily-Rose Depp, Thomasin McKenzie, Andrew Havill, Edward Ashley and Tara Fitzgerald. SYNOPSIS: Hal, wayward prince and heir to the English throne, is crowned King Henry V after his tyrannical father dies. Now the […]
2019 BFI London Film Festival Review – The Lighthouse
The Lighthouse, 2019. Directed by Robert Eggers. Starring Robert Pattinson, Willem Dafoe, and Valeriia Karaman. SYNOPSIS: The hypnotic and hallucinatory tale of two lighthouse keepers on a remote and mysterious New England island in the 1890s. The Lighthouse is about as boldly entrancing a second feature as one could imagine from any filmmaker, let alone Robert […]
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