Trevor Hogg profiles the career of Hollywood icon Clint Eastwood in the fifth of a five part feature (read parts one, two, three and four)… “Maybe the title of Space Cowboys [2000] is a bit misleading because it is mostly about the pioneers of space,” stated Clint Eastwood when discussing the story about four former […]
Quick Shooter: A Clint Eastwood Profile (Part 4)
Trevor Hogg profiles the career of Hollywood icon Clint Eastwood in the fourth of a five part feature (read parts one, two and three)… “What I liked about this script is that it is faithful to the book, contrary to some previous versions, which had eliminated elements that in my opinion had to be preserved,” […]
Quick Shooter: A Clint Eastwood Profile (Part 3)
Trevor Hogg profiles the career of Hollywood icon Clint Eastwood in the third of a five-part feature (read parts one and two)… “You’ve got to keep stretching out and trying other stuff,” observed actor and director Clint Eastwood. “I could have chosen a lot of scripts that were different than Bronco Billy [1980], that were […]
Quick Shooter: A Clint Eastwood Profile (Part 2)
Trevor Hogg profiles the career of Hollywood icon Clint Eastwood in the second of a five-part feature (read part one here)… “After Hang ’em High [1968], I acted in several pictures without being actively involved in their production,” recalled California filmmaker Clint Eastwood. “Then I found myself making my directorial debut directing second unit on […]
Quick Shooter: A Clint Eastwood Profile (Part 1)
Trevor Hogg profiles the career of Hollywood icon Clint Eastwood in the first of a five part feature… “My parents were married around 1929, right at the beginning of the Depression,” remembered American filmmaker and actor Clint Eastwood of his childhood. “It was a tough period for everybody and especially a young guy like my […]
Picture Perfect: A conversation with cinematographer John Seale
Trevor Hogg chats to the Academy Award-winning cinematographer John Seale… “I came out of the Outback using a little 8mm camera to record all of my family activities,” states Australian cinematographer John Seale whose experience in making home movies led him to his calling. “I wanted to get into the ABC because I met a […]
Image Conscious: A conversation with visual effects supervisor Christopher Townsend
Trevor Hogg chats with visual effects supervisor Christopher Townsend… “I come very much from a design background,” states Visual Effects Supervisor Christopher Townsend who studied Graphic Design at Coventry University. “I learnt a lot about composition and how to place things in relation to each other so as to make a decent looking image.” The […]
Twice Around: Anne V. Coates talks about Lawrence of Arabia
Trevor Hogg chats with Academy Award-winning film editor Anne V. Coates about Lawrence of Arabia… “I was doing some turning out in England the other day because I’m selling my apartment there,” recalls British film editor Anne V. Coates who made a surprising discovery. “I came across this letter which said, ‘Dear Mr. Spiegel, I […]
Cutting Edge: A conversation with film editor Anne V. Coates
Trevor Hogg chats with Academy Award-winning film editor Anne V. Coates… “When I was a really small girl I was very horsey; I used to think I’d like to be a race horse trainer,” recalls British film editor Anne V. Coates whose cinematic career spans over six decades. “Once I reached about 16 and became […]
Eye for Imagery: Looking Inside the VFX Industry
Trevor Hogg chats with VFX Supervisors Alessandro Cioffi, Sean Faden, Richard Higham, Dave Morley, Charlie Noble and Edson Williams about the visual effects industry… There was a time when visual effects were viewed as B-movie trickery. The path to mainstream respectability began with the landmark release of 2001: A Space Odyssey (1968) and the establishment […]
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