Dogman, 2018. Directed by Matteo Garrone. Starring Marcello Fonte and Edoardo Pesce. SYNOPSIS: Marcello, a small and gentle dog groomer, finds himself involved in a dangerous relationship of subjugation with Simone, a former violent boxer who terrorises the entire neighbourhood. In an effort to reaffirm his dignity, Marcello will submit to an unexpected act of vengeance. The […]
2018 BFI London Film Festival Review – The Plan That Came from the Bottom Up
The Plan That Came from the Bottom Up, 2018. Directed by Steve Sprung. SYNOPSIS : A visual essay/documentary film about a 1970’s arms company going bust where threatened workers came up with dynamic new products, including heat pumps, wind turbines and an energy saving house. The Plan That Came from the Bottom Up is an […]
Movie Review – Sorry to Bother You (2018)
Sorry to Bother You, 2018. Directed by Boots Riley. Starring Lakeith Stanfield, Tessa Thompson, Jermaine Fowler, Omari Hardwick, Terry Crews, Patton Oswalt, David Cross, Danny Glover, Steven Yeun and Armie Hammer. SYNOPSIS: In an alternate version of current-day Oakland, California, Cassius Green discovers a gift that helps him rapidly succeed in his new role as […]
2018 BFI London Film Festival Review – Wildlife
Wildlife, 2018. Directed by Paul Dano. Starring Carey Mulligan, Jake Gyllenhaal, Ed Oxenbould and Bill Camp. SYNOPSIS: A boy witnesses his parents’ marriage falling apart after his mother finds another man. Paul Dano makes a staggering debut with this emotionally charged adaptation of Richard Ford’s 1990 novel, a meticulously assembled drama about family, masculinity and female agency […]
2018 BFI London Film Festival Review – The Ballad of Buster Scruggs
The Ballad of Buster Scruggs, 2018. Directed by Ethan Coen & Joel Coen. Starring Tim Blake Nelson, Liam Neeson, Brendan Gleeson, Tom Waits, Harry Melling, Zoe Kazan, James Franco, Bill Heck, Grainger Hines, Chelcie Ross, and Jonjo O’Neill. SYNOPSIS: A collection of six Western-style shorts set out on the frontier, taking in stories of a […]
2018 BFI London Film Festival Review – Nancy
Nancy, 2018. Directed by Christina Choe. Starring Andrea Riseborough, J. Smith-Cameron, Ann Dowd, John Leguizamo, and Steve Buscemi. SYNOPSIS: Nancy becomes increasingly convinced she was kidnapped as a child. When she meets a couple whose daughter went missing thirty years ago, reasonable doubts give way to wilful belief. Andrea Riseborough adds yet another towering performance to […]
2018 BFI London Film Festival Review – Happy New Year, Colin Burstead.
Happy New Year, Colin Burstead., 2018. Directed by Ben Wheatley. Starring Neil Maskell, Bill Paterson, Doon Mackichan, Charles Dance, Sam Riley, Joe Cole, Hayley Squires, Alexandra Maria Lara, Richard Glover, Asim Chaudhry, Sarah Baxendale, Mark Monero, Peter Ferdinando, Sinead Matthews, Sura Dohnke, Sudha Bhuchar and Vincent Ebrahim. SYNOPSIS: Colin hires a lavish country manor for […]
2018 BFI London Film Festival Review – Ash Is Purest White
Ash Is Purest White, 2018. Directed by Jia Zhangke. Starring Zhao Tao and Liao Fan. SYNOPSIS: A story of violent love within a time frame spanning from 2001 to 2017. The latest epic drama from revered Chinese director Jia Zhangke (A Touch of Sin, Mountains May Depart) feels less-assured than his prior efforts while also raking over similar […]
Movie Review – Widows (2018)
Widows, 2018. Directed by Steve McQueen. Starring Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Colin Farrell, Carrie Coon, Daniel Kaluuya, Liam Neeson, and Cynthia Erivo. SYNOPSIS: When a posthumous debt from her husband (Liam Neeson) lands at the feet of Veronica (Viola Davis), she decides to inherit so much more than a death sentence by planning a heist […]
2018 BFI London Film Festival Review – Lizzie
Lizzie, 2018. Directed by Craig William Macneill. Starring Chloë Sevigny, Kristen Stewart, Jay Huguley, Jamey Sheridan, Fiona Shaw, Kim Dickens, Denis O’Hare, and Jeff Perry. SYNOPSIS: A psychological thriller based on the infamous 1892 murders of the Borden family. Craig William Macneill’s (The Boy) Lizzie Borden biopic couldn’t be further from prior campy adaptations of the […]
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