• Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • FMTV on YouTube
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Socials
    • Facebook
    • X
    • Instagram
    • Flipboard
    • Bluesky
    • Linktree
  • Terms
    • Terms of Use
    • Privacy Policy

Flickering Myth

Geek Culture | Movies, TV, Comic Books & Video Games

  • News
  • Reviews
  • Articles & Opinions
  • The Baby in the Basket
  • Death Among the Pines

Vulture Festival – The Carmichael Show Tackles the Issues of the Day

May 24, 2017 by Rachel Bellwoar

You wouldn’t think there was room left for a fresh take on the sitcom but The Carmichael Show stands out from its peers for having long takes, a small number of recurrent sets, and filming the show multicamera. There’s also the part where the show addresses big topics from multiple perspectives. Last season those included Donald Trump and Bill Cosby. This season, which will be its third, is no different, with episodes looking at consent in allegations of rape and mass shootings.

David Alan Grier, who attended the show’s Vulture Festival panel Sunday in NYC, described the show as an “old format but the process is more inclusive and collaborative.” Joined by the rest of the cast (Tiffany Haddish was absent), writer, Danielle Sanchez-Witzel, and executive producer,  Ravi Nandan, the conversation defined some of the qualities that make an episode of The Carmichael Show distinct, and looked at the writing process for choosing an episode’s theme.

While in many ways sharing more in common with sitcoms from the seventies than its own generation (as moderator and TV critic, Matt Zoller Seitz, reflected) star and creator, Jerrod Carmichael, pointed out some of the ways The Carmichael Show split from the seventies model: characters didn’t come to a realization every episode, and seventies sitcoms were “terrified of blue collar… and true perspective.” “Perspective,” Carmichael later defined, is “what drives us, versus circumstances,” the core of a person’s being when, “try[ing] to change someone’s mind is almost impossible.”

One of the benefits to filming multi-camera in front of an audience, Carmichael noted, is that the show “is able to stay in the pocket of a real, human turn.” You don’t have that sudden, drastic change of a character saying, “you were right.” “Stories usually come from arguments in the writers room,” and Carmichael sports a “shower-based creative process.” Another joy of the writer’s room: writing for Loretta Devine. Known for “add[ing] syllables to words,” Sanchez-Witzel gave the example “cyborg” as a word she couldn’t wait to hear sounded in Devine’s voice.

More than anything, honesty is pointed to as the reason the show is able to tackle such heady topics, with six characters to tell different sides of a larger subject (and not always the side shared by the actor playing them). Grier didn’t support Trump, and Devine initially had some words for why her character was always moving and cooking, while Grier’s sat, or Amber Stevens West’s had monologues. Now in season three, Devine says, it’s, “…not so much what she [her character, Cynthia] says but how she feels. I feel real clear about who she is.”

The Carmichael Show returns May 31st on NBC.

Originally published May 24, 2017. Updated April 15, 2018.

Filed Under: Rachel Bellwoar, Television Tagged With: Amber Stevens West, Danielle Sanchez-Witzel, David Alan Grier, Jerrod Carmichael, Lil Rel Howery, Loretta Devine, Ravi Nandan, The Carnichael Show, Tiffany Haddish, Vulture Festival

FMTV – Watch Our Latest Video Here

YOU MIGHT ALSO LIKE:

Psycho at 65: The Story Behind Alfred Hitchcock’s Masterful Horror

10 Iconic Movie Weapons Every Millennial Kid Wanted

The Bonkers Comedies of Andrew McCarthy

13 Great Obscure Horror Movie Gems You Need to See

The Must-See Movies of 2015

Friday the 13th at 45: The Story Behind the Classic Slasher

The Best 90s and 00s Horror Movies That Rotten Tomatoes Hate!

10 Must-See Boxing Movies That Pack a Punch

8 Great Films with Incompetent Heroes

10 Great Horror Movies That Avoid the Director Sophomore Slump

Top Stories:

Avatar: Fire and Ash delivers James Cameron’s fourth consecutive billion dollar-grossing movie

4K Ultra HD Review – Under Siege (1992)

10 Forgotten Erotic Thrillers of the 1980s

Movie Review – We Bury the Dead (2025)

Movie Review – The Dutchman (2025)

8 Creepy Neighbor Movies for Your Watchlist

Movie Review – The Plague (2025)

The Essential Indiana Jones Knock-Offs of the 1980s

Movie Review – Song Sung Blue (2025)

Entertaining 80s Buddy Movies You May Have Missed

FLICKERING MYTH FILMS

 

FEATURED POSTS:

Crazy Cult 90s Horror Movies You May Have Missed

Ranking Bad E.T. Rip-Offs From Worst to Watchable

The Best Sword-and-Sandal Movies of the 21st Century

From Banned to Beloved: Video Nasties That Deserve Critical Re-evaluation

  • Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • FMTV on YouTube
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Socials
    • Facebook
    • X
    • Instagram
    • Flipboard
    • Bluesky
    • Linktree
  • Terms
    • Terms of Use
    • Privacy Policy

© Flickering Myth Limited. All rights reserved. The reproduction, modification, distribution, or republication of the content without permission is strictly prohibited. Movie titles, images, etc. are registered trademarks / copyright their respective rights holders. Read our Terms of Use and Privacy Policy. If you can read this, you don't need glasses.


 

Flickering MythLogo Header Menu
  • News
  • Reviews
  • Articles and Opinions
  • The Baby in the Basket
  • Death Among the Pines
  • About Flickering Myth
  • Write for Flickering Myth