Bisbee ’17, 2018. Directed by Robert Greene. SYNOPSIS: An old mining town on the Arizona-Mexico border finally reckons with its darkest day: the deportation of 1200 immigrant miners exactly 100 years ago. Locals collaborate to stage recreations of their controversial past. Robert Greene (Kate Plays Christine) serves up a powerful jolt to the conscience with this […]
2018 BFI London Film Festival Review – Suspiria
Suspiria, 2018. Directed by Luca Guadagnino. Starring Dakota Johnson, Tilda Swinton, Doris Hick, Angela Winkler, Mia Goth, Elena Fokina, and Chloë Grace Moretz. SYNOPSIS: Against the backdrop of political turmoil in 70s Berlin, a world renowned dance company can be found within a stones throw from the wall. It’s run by the notorious Madame Blanc (Tilda Swinton), […]
2018 BFI London Film Festival Review – The Man Who Killed Don Quixote
The Man Who Killed Don Quixote, 2018. Directed by Terry Gilliam. Starring Adam Driver, Jonathan Pryce, Stellan Skarsgård, Olga Kurylenko, and Joana Ribeiro. SYNOPSIS: Toby, a disillusioned advertising executive, becomes pulled into a world of time jumping fantasy when a Spanish cobbler believes him to be Sancho Panza. He gradually becomes unable to tell dreams from […]
2018 BFI London Film Festival Review – The Old Man and the Gun
The Old Man and the Gun, 2018. Directed by David Lowery. Starring Robert Redford, Sissy Spacek, Casey Affleck, Danny Glover, Tom Waits and Tika Sumpter. SYNOPSIS: Forrest Tucker is a bank robber. An elderly one and a gentleman. He’s spent plenty of time in prison because of his bad habit but he can’t give it […]
2018 BFI London Film Festival Review – Destroyer
Destroyer, 2018. Directed by Karyn Kusama. Starring Nicole Kidman, Sebastian Stan, Toby Kebbell, Tatiana Maslany, Scoot McNairy, Bradley Whitford, and James Jordan. SYNOPSIS: Whilst a young LAPD detective, Erin Bell (Nicole Kidman) was sent undercover with her partner Chris (Sebastian Stan) to infiltrate a crime gang headed up by the messianic Silas (Toby Kebbell). Almost […]
Movie Review – Wildlife (2018)
Wildlife, 2018. Directed by Paul Dano. Starring Jake Gyllenhaal, Carey Mulligan, Ed Oxenbould, Bill Camp, and Zoe Margaret Colletti. SYNOPSIS: As a forest fire rages through rural America, Joe Brinson (Ed Oxenbould) must watch his parent’s relationship start to crumble, with his father (Jake Gyllenhaal) struggling to find work, and his mother (Carey Mulligan) becoming […]
Movie Review – The Ballad of Buster Scruggs (2018)
The Ballad of Buster Scruggs, 2018. Directed by Joel and Ethan Coen. Starring Tim Blake Nelson, Liam Neeson, Brendan Gleeson, Tom Waits, Harry Melling, Zoe Kazan, James Franco, Bill Heck, Grainger Hines, Chelcie Ross, and Jonjo O’Neill. SYNOPSIS: Six stories make up Joel and Ethan Coen’s Western anthology epic, taking in everything from singing cowboys, gold […]
2018 BFI London Film Festival Review – Won’t You Be My Neighbor?
Won’t You Be My Neighbor?, 2018. Directed by Morgan Neville. Featuring Joanne Rogers, François Clemmons, Yo-Yo Ma, and Joe Negri. SYNOPSIS: An exploration of the life, lessons, and legacy of iconic children’s television host, Fred Rogers. Though legendary children’s TV personality Fred Rogers may not be especially well-known to British audiences, his cultural reach is […]
2018 BFI London Film Festival Review – Beautiful Boy
Beautiful Boy, 2018. Directed by Felix Van Groeningen. Starring Steve Carell, Timothée Chalamet, Maura Tierney, Kaitlyn Dever, Amy Ryan, and Andre Royo. SYNOPSIS: Using the best-selling father and son memoirs of David (Steve Carell) and Nic Shiff (Timothée Chalamet), Beautiful Boy charts the traumatic experiences of a family dealing with a debilitating addiction that nobody really understands. Drug culture […]
Movie Review – Utøya – July 22 (2018)
Utøya – July 22, 2018. Directed by Erik Poppe. Starring Andrea Berntzen. SYNOPSIS: A teenage girl struggles to survive and to find her younger sister during the July 2011 terrorist mass murder at a political summer camp on the Norwegian island of Utøya. Though it premieres at the LFF mere days after Paul Greengrass’ own dramatisation […]
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