Flickering Myth

Geek Culture | Movies, TV, Comic Books & Video Games

Movie Review – 2036 Origin Unknown (2018)

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2036 Origin Unknown, 2018. Directed by Hasraf Dulull. Starring Katee Sackhoff, Julie Cox, Steven Cree, and Ray Fearon. SYNOPSIS: After a failed mission to Mars, A.I./ARTI is now used for the 2036 mission with a few human supervisors. A monolith of unknown origin is found there. It will have a big effect on Earth. Low-budget science fiction […]

Exclusive Interview – Cinematographer Hagen Bogdanski on shooting Papillon and Director of Photography role

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Red Stewart chats with Hagen Bogdanski about Papillon… Hagen Bogdanski is a German cinematographer who has been working in his country’s film and television industries since the mid-80s. He is best known for his work on films like The Lives of Others, Young Victoria, and The Physician. His latest movie is the biographical drama Papillon, which […]

Exclusive Interview – Composer Jesse Harlin talks Yoku’s Island Express, Star Wars, and VR

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Red Stewart chats with Jesse Harlin about Yoku’s Island Express, Star Wars, and VR… Jesse Harlin is an American composer who has been working in the video game and film industries since the mid-2000s. He is best known for his work at LucasArts, where he served as the former Music Supervisor and Staff Composer for […]

Exclusive Interview – Composer Lorne Balfe talks Mission: Impossible – Fallout and video game scores

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Red Stewart chats with Lorne Balfe about Mission: Impossible – Fallout and video game scores… Lorne Balfe is a Scottish composer who has been working in the film, television, and video game industries since the early-2000s. He is best known for his work on video game titles Call of Duty: Modern Warfare 2 and Assassin’s Creed […]

Exclusive Interview – Composer Alexandra Harwood talks The Guernsey Literary and Potato Peel Pie Society and musical influences

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Red Stewart chats with composer Alexandra Harwood… Alexandra Harwood is an English composer who has been working in the film and television industries since the early-2010s. She is best known for her work on the nature documentary series Growing Up Wild, as well the drama film The Escape. Her latest compositions were for the Netflix original film The […]

Exclusive Interview – Katee Sackhoff talks 2036 Origin Unknown, her sci-fi career, and approach to acting

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Red Stewart chats with Katee Sackhoff about 2036 Origin Unknown… Katee Sackhoff is an American actress who has been working in the television and film industries since the late 90s. She is best known for her roles on Battlestar Galactica and Longmire. Her recent work was the independent science fiction film 2036 Origin Unknown, which had a limited release […]

Marvel’s Cloak & Dagger Season 1 Finale Review – ‘Colony Collapse’

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Red Stewart reviews the season one finale of Marvel’s Cloak & Dagger… To avoid sounding like a broken record, I’m going to pitch you guys a hypothetical scenario: let’s say you are creating a long-term television show adapted from an existing property, be it a book or a comic or a play. Let’s say the […]

Exclusive Interview – Filmmaker Brett Haley talks Heart Beat Loud and musical influences

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Red Stewart chats with filmmaker Brett Haley… Brett Haley is an American filmmaker who has been working in the film and television industries since the mid-2000s. He is best known for his independent feature movies which he directed and co-wrote, including The New Year, I’ll See You in My Dreams, and The Hero. His latest work was the […]

Marvel’s Cloak & Dagger Season 1 Episode 9 Review – ‘Back Breaker’

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Red Stewart reviews the penultimate episode of Marvel’s Cloak & Dagger… When I was a kid, one of my favorite episodes of X-Men: Evolution was the girl power episode “Walk On The Wild Side.” I thought it was fun to see Jean Grey and her fellow female X-Men get a chance to kick ass in the spotlight. […]

Marvel’s Cloak & Dagger Season 1 Episode 8 Review – ‘Ghost Stories’

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Red Stewart reviews the eighth episode of Cloak & Dagger… As we move further into the future of streaming and online services and away from the past of cable and satellite venues, I’m beginning to wonder whether or not we’ll come to a point where seasonal mandates by content providers will be less standardized and […]