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James Cameron says the Oscars are biased against mainstream blockbusters

January 31, 2017 by Robert Kojder

In a recent interview with The Daily Beast, Avatar director James Cameron spoke about the controversy surrounding the divide of Oscar nominations between mainstream blockbuster films and smaller independent productions.

“There’s definitely a bias,” said Cameron. “The Academy still has a majority of its members that are actors. Look, I love actors, but that’s how they think—they’re generally skeptical of technology. So when they see a film that’s too dependent on visual effects, they say, oh, that’s not an acting movie. Well Titanic was a visual effects movie in sheep’s clothing, you know? Yes, it had visual effects, but it was about the people and about the story. The visual effects were eclipsed by that. But if you do a movie like Avatar, the effects are right out front, and even though I felt the acting was just as good, and the story we were telling was just as good, they’re not going to reward it the same way. That’s just a fact of life. I had made a decision way before Titanic that I wasn’t going to serve two masters: I was going to put my visual cinema first. Even though I’ve spent an awful lot of time on scripts and on performance, I still love doing big, visual cinema. I doubt I’ll even get nominated again, but if I did, I’m probably going to lose to a Woody Allen movie. That’s the nature of it. So you don’t try to serve two masters.”

SEE ALSO: James Cameron on the Alien franchise and Alien: Covenant

Do you agree with Cameron’s comments? Is the Academy biased against mainstream blockbusters? Let us know your thoughts in the comments below…

Originally published January 31, 2017. Updated April 16, 2018.

Filed Under: Awards Season, Movies, News, Robert Kojder Tagged With: Academy Awards, James Cameron, Oscars

About Robert Kojder

Robert Kojder is Flickering Myth's Chief Film Critic. He is a Rotten Tomatoes-approved critic and member of the Chicago Film Critics Association, Critics Choice Association, and Online Film Critics Society.

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