There’s Still Tomorrow, 2023.
Directed by Paola Cortellesi.
Starring Paola Cortellesi, Valerio Mastandrea, Romana Maggiora Vergano, Emanuela Fanelli, Giorgio Colangeli, and Vinicio Marchioni.
SYNOPSIS:
Trying to escape from the patriarchy in the Italian post-war society, Delia plots an act of rebellion against her violent husband.
Italian Cinema has had its share of triumphs over the years with the likes of Federico Fellini and Roberto Rossellini helping to define European Cinema of the mid 1900s. There’s Still Tomorrow from Star and Director Paola Cortellesi, proves that there is still plenty of life left in Italian Cinema. It has earned rave reviews and proven to be the most successful film of 2023 in Italy and the ninth highest-grossing film of all time there.
Set in Rome in 1946, it follows Delia (Cortellisi), caught in a loveless marriage, struggling to put food on the table. Delia cares for their three young children and is also expected to tend to her bedridden father-in-law. The Rome we follow is far from the more glamorous one we tend to see now, more like something in Rome Open City, with the effects of the war apparent, with a sizable US military presence still in place.
It has rightly earned plaudits and the way Cortellisi has balanced the period elements with neorealism is worth singling out. On paper this shouldn’t work, feeling often like a drama lifted straight from the era but also with a striking, contemporary edge to it, buoyed by some of the musical choices. The likes of Jon Spencer Blues Explosion and Outkast helping to lend it a ferocious energy and give it a sense of purpose. As far as debuts go this is incredibly ambitious but it never succumbs to striving for too much, miraculously finding balance throughout.
While the action is kept largely to Delia and her family it is gripping with plenty of impressive traits from our first-time director from the use of music and dance to slow motion. Davide Leone’s cinematography is striking and perfectly captures the downbeat nature of post-war Rome.
There’s Still Tomorrow is a wonderful blend of 1940s Italian Cinema and melodrama with a distinctly modern edge to it, landing this awkward balance for the most part. It will be intriguing to see whether international audiences take to it quite as strongly but as Italian as it feels, there is a global appeal to it, of a woman trying to escape a horrendous situation and reclaim her life. It is a very impressive debut and we can only hope Paola Cortellisi directs more in future. It is an unpredictable love letter to Italian cinema and this particular era in Italian society that wears its heart on its sleeve and is hard not to be enamoured with.
Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★
Chris Connor
