With Silence getting the critics salivating, Sean Wilson examines what is possibly Martin Scorsese’s greatest – and almost certainly most underrated – film, The King of Comedy… Do portrayals of celebrity culture and fan worship get more lacerating and acute than 1983’s masterpiece The King of Comedy? Martin Scorsese’s follow-up to Raging Bull is quite […]
Should We Really Look Forward To More Star Wars Films?
This week Neil Calloway cautions against too many films in the franchise… The news that Kathleen Kennedy plans a whole universe of Star Wars movies should be greeted with trepidation. I love Star Wars, but I can’t help but feel more movies will chip away at the mythology of the films.. The prequels already gave […]
7 awe-inspiring tracks from David Arnold’s classic Independence Day score
Ahead of the release of Independence Day: Resurgence, Sean Wilson remembers one of the first movie’s greatest assets in the form of David Arnold’s absurdly rousing and patriotic soundtrack… However long-overdue sci-fi sequel Independence Day: Resurgence turns out, it’ll be lacking the thunderous impact of David Arnold on soundtrack duties. The British composer reportedly wasn’t even […]
Terminator 2 at 25: Revisiting Cinema’s Greatest Sequel
Edward Gardiner revisits Terminator 2: Judgment Day on its 25th anniversary… *Spoilers for the Terminator franchise There was a time, if you remember, when James Cameron wasn’t weirdly obsessed with those funny blue aliens over on Pandora. Back in the early ’90s, when Tarantino was paving his way into Hollywood and Spielberg was bringing dinosaurs back to life, Cameron […]
Not All Sequels Suck
Helen Murdoch with ten sequels that are actually decent… 2016 has been hit and miss for sequels and reboots. So far we’ve had the dull Independence Day: Resurgence, the reboot of Ghostbusters, as well as the forgettable Now You See Me 2 and Bad Neighbours 2. Sitting through the latest Alice in Wonderland film was […]
Interview: Uncharted and Firefly composer Greg Edmonson on the art of the soundtrack
Sean Wilson talks to the BAFTA-award-winning film, TV and video game composer about his celebrated soundtrack work… In today’s pop culture climate, no longer are composers limited to one genre or field of speciality. Increasingly our greatest musicians are diversifying across a host of different platforms, and one of the greatest is Greg Edmonson whose […]
Flickering Myth Film Class: Using Colour
In this instalment of Flickering Myth’s Film Class, Tom Jolliffe looks at intentional use of colours in film… When it was discovered that film stock could have colour painted onto it, though painstaking and meticulous, it opened up a new dimension in cinema, previously locked into black, white and grey. It allowed a film-maker to […]
Foursome: Bobby Bukowski talks about Rosewater, Infinitely Polar Bear, 99 Homes & Time Out of Mind
Trevor Hogg chats with Bobby Bukowski about a busy year of collaborating with four different filmmakers who each had a separate cinematic project… One cannot accuse Bobby Bukowski of having a boring life as he went from studying Biochemistry with the intention of pursuing a medical career to a photographer’s assistant in Paris which resulted […]
Why Original Science Fiction is Dead
Anthony Stokes on the death of original science fiction… Jupiter Ascending has arrived and is pretty much been the bust we all thought it would be. Needless to say I doubt it will even come close to breaking even, and I’m not shedding a single tear for the Wachowski siblings who should have learned better […]
Going Against the Critical Grain: When Expressing An Opinion Takes Bravery
Sean Wilson explores the difficulties writers face when their opinion flies in the face of the popular consensus… Film journalists such as myself frequently get slammed for daring to criticise a movie we hated: we didn’t make it, we had no idea of the stress involved in organising a small army of cast and technicians […]
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