Scott and Sid is the debut feature from Scott Elliott and Sid Sadowskyj, loosely based on on their real life experiences.When Scott (Richard Mason) transfers schools, he befriends the withdrawn and awkward Sid (Tom Blyth), whose only aspirations are to work hard, get through his exams and escape into his own life. Whilst his home […]
Exclusive Interview – Director Rob Cohen Talks The Hurricane Heist
Sam Kitagawa chats with The Hurricane Heist director Rob Cohen…Rob Cohen has directed a number of high profile action films including The Fast and the Furious, The Mummy: Tomb of the Dragon Emperor and xXx. His new movie Hurricane Heist comes out March 9th. The film depicts a group of thieves who pull off a […]
Exclusive Interview – Sound mixers Doug Hemphill and Ron Bartlett on Blade Runner 2049, their creative process and more
Alex Moreland talks to Doug Hemphill and Ron Bartlett about Blade Runner 2049, sound mixing and more…Now, I know you both worked on the original Blade Runner – how did you come to be involved with this one?Doug H: Well we worked on Ridley’s final version eight years ago – it was called The Director’s […]
Exclusive Interview – Sound Editor Mark Mangini on Blade Runner 2049, his creative process and more
Alex Moreland talks to Mark Mangini about Blade Runner 2049, his career in general, and more…So, first of all, how did you become involved with Blade Runner 2049?Well, it started with Denis Villeneuve and Joe Walker – the film editor of Blade Runner – seeing Mad Max: Fury Road while they were filming in Budapest, […]
Exclusive Interview – Irreplaceable You composer Lesley Barber talks composing, orchestra vs. synths, and Little Bear
Red Stewart chats with composer Lesley Barber…Lesley Barber is a Canadian composer who has been writing music for the film and television industry since the mid-90s. She is best known for her work on feature moves like Mansfield Park and Manchester by the Sea. Her latest pieces are for the documentary A Better Man, the Netflix release Irreplaceable […]
Exclusive Interview – Director and writer Philip Gelatt on working with big and low budget projects, Lovecraft and his new film They Remain
Rafael Motamayor chats with Philip Gelatt on Lovecraftian horror, going from screenwriting to directing and more…When did you first think of adapting Laird Barron’s work?I was in a place where I knew I wanted to write and direct something. I was already a fan of Barron’s work and I was sort of looking for something that […]
Exclusive: Check out a new poster for Steven Soderbergh’s Unsane
Ahead of its release later this month, we’ve got an exclusive look at the poster for Unsane, the new film from director Steven Soderbergh, which has been shot entirely on an iPhone and sees Claire Foy leading a cast that includes Joshua Leonard, Jay Pharoah, Juno Temple, Aimee Mullins, and Amy Irving.SEE ALSO: Watch the trailer […]
Exclusive Interview – Director Ali Zamani talks Opus of an Angel
Martin Carr chats with Opus of an Angel director Ali Zamani…Where did the idea for this film come from?I was always inspired by the thought of how someone would deal with the notion of losing everything that was so dear to them, what triggered them, when they were at the lowest moment of their life, to […]
Watch an exclusive clip from the foley artist documentary Actors of Sound
Following a successful festival run, director Lalo Molina’s documentary Actors of Sound – which explores the work of the foley artist – is released this Tuesday, February 27th, and we have a clip for you here courtesy of Freestyle Digital Media. Watch it below, or over on our YouTube channel…From footsteps to bone cracks, Foley […]
Exclusive Interview – Composers Tom Hodge and Franz Kirmann on scoring McMafia
Red Stewart chats with composers Tom Hodge and Franz Kirmann about McMafia…Tom Hodge and Franz Kirmann are composers who have been working in the film and television industry since the early-2000s, primarily writing scores for film shorts. Their latest project, however, is the upcoming British crime drama miniseries McMafia, set to air on AMC on February […]
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