• Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • FMTV on YouTube
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Socials
    • Facebook
    • X
    • Instagram
    • Flipboard
    • Bluesky
    • Linktree
  • Terms
    • Terms of Use
    • Privacy Policy

Flickering Myth

Geek Culture | Movies, TV, Comic Books & Video Games

  • News
  • Reviews
  • Articles & Opinions
  • The Baby in the Basket
  • Death Among the Pines

Preacher Season 2 Episode 8 Review – ‘Holes’

August 8, 2017 by Amie Cranswick

Martin Carr reviews the eighth episode of Preacher season 2…

Theological questions of immortality, questionable plastering skills and moments in Hell make up Preacher this week. Power issues in the afterlife are addressed, goodness is punished in short order, while megalomaniac bonding sessions never felt creepier. Surreal fireside television torture, voice distortion and a film noir, cabin fever sort of mentality pervades elements of ‘Holes’ throughout. Something else which season 2 is slowly morphing into takes it away from those comic book roots into the realms of contemporary drama, without losing any of the programmes established edge.

Beyond the Christian crusaders, mythical warrior assassins and search for belief through redemption is a father son narrative which is heartbreaking. Cassidy has forged an unspoken, miscommunicated poignantly powerful bond with Dennis, which strips away the years and brings with it a moral quandary. Defined by excess he may be but Gilgun brings emotional heft to the table, wrestling with the implications of what his son is asking. Nursery rhymes, relentless guilt and paternal instinct begin to cloud his judgement, pick his moral compass apart and leaving him with an impossible choice. Flashbacks are used eloquently to convey, broaden and elaborate on Cassidy making him more human and less the monster he believes himself to be.

Elsewhere Jesse’s quest for religious salvation feels like a poorly developed sub-plot in comparison. Neither particularly engaging nor steeped in pathos this segue only goes to illustrate how resonant that father son thread has proven to be. Even Tulip with her makeshift plastering and disconnected demeanour are no contest against the likes of our Irish bloodsucker. Ian Coletti, who has been criminally underused from week one, gets little to do except converse with Hitler, look mean and do a few chin ups. Conceptual theories of Hell are interesting but cry out for a whole episode yet get glossed over in a few minutes. Shock factor is dwindling and Coletti’s role in all of this feels superfluous right now, even if the Fuhrer manages to lighten the mood.

Preacher can be accused of many things but taking the easy way home is not amongst them. Every week it dips into the source material and draws forth something of substance. Cooper, Gilgun, Negga and Torrens tap into that renegade sensibility and bring this human drama to life one scene at a time. Challenging, original, bold and balls out bad arse Preacher takes a moment to extend its manicured middle finger to all comers. Long may the mentality of boundary bending, evangelically challenging televisual entertainment keep those conservative worry warts up at night.

Martin Carr – Follow me on Twitter

Originally published August 8, 2017. Updated November 29, 2022.

Filed Under: Martin Carr, Reviews, Television Tagged With: Preacher

About Amie Cranswick

Amie Cranswick has been part of Flickering Myth's editorial team for over a decade. She has a background in publishing and copyediting and has served as Executive Editor of FlickeringMyth.com since 2020.

FMTV – Watch Our Latest Video Here

YOU MIGHT ALSO LIKE:

20 Essential Criterion Collection Films

The Essential Richard Norton Movies

10 Great Forgotten 90s Thrillers Worth Revisiting

From Dusk Till Dawn at 30: The Story Behind the Cult Classic Horror Genre Mash-Up

Horror’s Revenge: The 2026 Oscars and the Genre’s Long-Overdue Moment

Horror Sequel Highs & Lows

Returning to The Lord of the Rings Trilogy

7 John Hughes Movies You Might Have Missed

7 Underrated Ridley Scott Movies

When Horror Got Smart: An Intellectual Turn in the 90s

Top Stories:

Movie Review – How to Make a Killing (2026)

Movie Review – The Dreadful (2026)

7 Crazy Cult 80s Movies You Might Have Missed

Movie Review – Redux Redux (2025)

Movie Review – This Is Not a Test (2026)

Is AI About to Make Creatives Irrelevant?

Movie Review – EPiC: Elvis Presley in Concert (2026)

A Knight of the Seven Kingdoms Episode 5 Review – ‘In the Name of the Mother’

Taxi Driver at 50: The Story Behind Martin Scorsese’s Classic Psychological Drama

7 Bizarre 1980s Horror Movies You Might Have Missed

FLICKERING MYTH FILMS

 

FEATURED POSTS:

10 Essential DC Movies

The Essential Robert Redford Movies

The Best Milla Jovovich Movies Beyond Resident Evil

10 Terrifying Bath Scenes in Horror Movies

  • Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • FMTV on YouTube
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Socials
    • Facebook
    • X
    • Instagram
    • Flipboard
    • Bluesky
    • Linktree
  • Terms
    • Terms of Use
    • Privacy Policy

© Flickering Myth Limited. All rights reserved. The reproduction, modification, distribution, or republication of the content without permission is strictly prohibited. Movie titles, images, etc. are registered trademarks / copyright their respective rights holders. Read our Terms of Use and Privacy Policy. If you can read this, you don't need glasses.


 

Flickering MythLogo Header Menu
  • News
  • Reviews
  • Articles and Opinions
  • The Baby in the Basket
  • Death Among the Pines
  • About Flickering Myth
  • Write for Flickering Myth