Martin Carr reviews the sixth episode of Kidding…
There is so much invention beneath the surface of this show that knowing where to begin each week represents a huge challenge. Theological questions around existence lock horns with foul mouthed parakeets, while romantic entanglements and musical numbers break your heart. This show is no longer about divorce, bereavement, image theft or the human condition. Kidding has now transcended such categorisation and become something which should just be enjoyed, discussed and learned from.
Jeff Pickles and his sister Dee are products of a broken home where the patriarch still longs for his errant spouse. A brother and sister perpetually trapped in arrested development due to their parent’s divorce. There are two or three images and sequences within ‘The Cookie’ that are fundamental in defining this show and need experiencing. Words would do them an injustice so my recommendation is to tune in and prepare to be broadsided by the poignancy of puppetry and a heart breaking lullaby.
This may sound conceited and overindulgent but there were moments this week which brought to mind the last collaboration between Jim Carrey and Michel Gondry. A film which at the time of release represented a watershed moment for both parties as the comedian was banished and the actor stepped up. Similar to Eternal Sunshine which asked uncomfortable questions and provided a cyclical answer, Kidding operates along comparative lines and revels in ambiguity. In terms of thematic juggling and abstract tangents Spike Jonze’s Adaptation would also be something worth revisiting.
I know I keep coming back to Langella, Carrey and Keener but facts are facts. Their contribution to making these brutally honest scenes a cohesive whole should not go unappreciated. As the layers within each relationship continue to be stripped back fresh challenges are revealed for each actor. Carrey has rarely been better and if he fails to get nominated for an Emmy here then there is no justice. Catherine Keener works hard with limited screen time to portray the sense of isolation she feels trapped within a marriage of convenience, supporting a sibling who overshadows her and father who refuses to acknowledge anything is wrong.
A special mention should also be reserved for Ginger Gonzaga who plays Vivian the terminal cancer patient that Jeff falls for. Her role maybe small but the impact it has on Carrey and his performance are essential, as he actually raises his game during their scenes together. Naturalistic in demeanour and lacking in hair Ginger goes from resignation through to rejuvenation over the course of this episode and never feels clichéd or hammy. Their emotional connection though destined to be short lived burns all the brighter because of her diagnosis and their moments this week underpin everything else. Brutally honest, inventively structured and containing slow burn award winning performances, Kidding should come away with recognition and plaudits aplenty as long as people tune in.
Martin Carr
Originally published October 19, 2018. Updated January 8, 2019.
