• Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • FMTV on YouTube
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Socials
    • Facebook
    • X
    • Instagram
    • Flipboard
    • Bluesky
    • Linktree
  • Terms
    • Terms of Use
    • Privacy Policy

Flickering Myth

Geek Culture | Movies, TV, Comic Books & Video Games

  • News
  • Reviews
  • Articles & Opinions
  • The Baby in the Basket
  • Death Among the Pines

Why Banning and Cutting Films is a Mistake

January 17, 2016 by Neil Calloway

This week, Neil Calloway argues that far from increasing revenues in conservative countries, by allowing censored versions of their movies to be shown, Hollywood will ultimately lose out…

This week brought the news that transgender period drama The Danish Girl has been banned in Qatar. I doubt Working Title will be too upset that their film isn’t being shown in a small, conservative country of about two million people (roughly a quarter of the population of New York City or London), and if I made a film that had been banned due to its apparent “moral depravity” I’d put that quote on the poster, but as studios look to expand their international box office, you can expect this to increasingly become an issue with films.

Banning films in their entirety rarely happens in the West now, but the occasional film does get stopped from being released – in 2015, the British Board of Film Classification refused to give a certificate to Hate Street, a 2012 film about neo-Nazis terrorising a Jewish family. I don’t think we’re missing out on a new Citizen Kane or 2001: A Space Odyssey by being the opportunity to watch it. Most studios will cut films to gaina release at their preferred rating, with the BBFC working with the producers of Spectre, for example, to get a 12A rating, roughly analogous to the US PG-13. After the “video nasties” moral panic of the 1980s, which led to the law being changed so that home videos had to be submitted to the BBFC, most of the films banned have since been released uncut. In fact, most of them have been remade too.

It’s a little known fact that in Britain, responsibility for whether films can or cannot be shown does not belong to the BBFC, but local councils. It is they who have final say on what is and what isn’t shown at the cinemas in their area. And you thought they just emptied your bins. Not having a nationwide overseer does cause some issues. One of the most banned films is Monty Python’s Life of Brian, and it remains banned in some areas. On its initial release several councils refused to have it shown in cinemas under their control, and it was first shown in Aberystwyth in 2009, when Sue Jones-Davies, who appears in the film as Judith Iscariot, was elected mayor of the town. It wasn’t shown in Bournemouth until 2015. One council to ban it was Runnymede, the trouble was there weren’t any cinemas in Runnymede at this point.

If films are rarely banned these days, they still sometimes get cut for release. When Martin Scorsese’s 2013 film The Wolf of Wall Street was released in the Gulf, it was cut by 45 minutes at the insistence of the distributor, which is owned by the Qatari government. I’d probably agree that The Wolf of Wall Street needed a bit of trimming here and there, but three quarters of an hour is overdoing it, and I bet they cut all the fun parts. It might be connected that The Wolf of Wall Street went on to become the most pirated film of 2014. Fifty Shades of Grey was cut by twenty minutes for its Vietnamese release, again, they probably cut the fun bits rather than the bad bits. Bizarrely, being cut or banned only adds to the lustre of a film; people will want to see an otherwise unremarkable film if they hear it is in someway controversial and someone thinks they shouldn’t see it.  In this case, in the 21st Century, they’ll probably just go online to watch it.

In a globalised world studios may be more likely to acquiesce to cuts that decimate their films in search of international revenues, but also in a globalised world consumers will be able to download unexpurgated versions of the film illegally rather than watching the censored versions in the cinema, and therefore studios will lose out on much needed box office. They won’t, but Hollywood should insist that only the original cut of their films are shown; anything else will lead to them missing out.

Neil Calloway is a pub quiz extraordinaire and Top Gun obsessive. Check back here every Sunday for future instalments.

https://youtu.be/vDx6g5ua25E?list=PL18yMRIfoszEaHYNDTy5C-cH9Oa2gN5ng

Originally published January 17, 2016. Updated April 13, 2018.

Filed Under: Articles and Opinions, Movies, Neil Calloway Tagged With: Fifty Shades of Grey, Monty Python's The Life of Brian, The Danish Girl, The Wolf of Wall Street

WATCH OUR NEW FILM FOR FREE ON TUBI

FMTV – Watch Our Latest Video Here

YOU MIGHT ALSO LIKE:

10 Reasons Why Predator Is Awesome

The Return of Cameron Diaz: Her Best Movies Worth Revisiting

From Dusk Till Dawn at 30: The Story Behind the Cult Classic Horror Genre Mash-Up

10 Essential Vampire Movies To Sink Your Teeth Into

15 Movies To Watch On Tubi UK

The Definitive Top 10 Alfred Hitchcock Movies

Dust in the Eye: Ten Tear-Jerking Moments in Action Movies

10 Terrifying Bath Scenes in Horror Movies

The Essential Indiana Jones Knock-Offs of the 1980s

Sirens from Space: Species and Under The Skin

Top Stories:

Movie Review – Peaky Blinders: The Immortal Man (2026)

10 Essential Action Movies of 1996

Movie Review – The Bride! (2026)

Movie Review – Heel (2025)

The Essential Horror Movies of 1996

Video Review – Bodycam is the best found footage film of the decade

Prime Video Review – Young Sherlock

Movie Review – Hoppers (2026)

Movie Review – Dolly (2025)

Cannibal Holocaust on Trial: When Prosecutors Thought They Found a Snuff Movie

FLICKERING MYTH FILMS

 

FEATURED POSTS:

10 Crazy Cult Horror Movies You Need To See

The Essential Revisionist Westerns of the 21st Century

LEGO Star Wars at 20: The Video Game That Kickstarted a Phenomenon

Horror’s Revenge: The 2026 Oscars and the Genre’s Long-Overdue Moment

  • Pop Culture
    • Movies
    • Television
    • Comic Books
    • Video Games
    • Toys & Collectibles
  • Features
    • News
    • Reviews
    • Articles and Opinions
    • Interviews
    • Exclusives
    • FMTV on YouTube
  • About
    • About Flickering Myth
    • Write for Flickering Myth
    • Advertise on Flickering Myth
  • Socials
    • Facebook
    • X
    • Instagram
    • Flipboard
    • Bluesky
    • Linktree
  • Terms
    • Terms of Use
    • Privacy Policy

© Flickering Myth Limited. All rights reserved. The reproduction, modification, distribution, or republication of the content without permission is strictly prohibited. Movie titles, images, etc. are registered trademarks / copyright their respective rights holders. Read our Terms of Use and Privacy Policy. If you can read this, you don't need glasses.


 

Flickering MythLogo Header Menu
  • News
  • Reviews
  • Articles and Opinions
  • The Baby in the Basket
  • Death Among the Pines
  • About Flickering Myth
  • Write for Flickering Myth