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Flickering Myth

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A Double Hit of Cyberpunk from 1992: Nemesis and Split Second

April 2, 2022 by Tom Jolliffe

Tom Jolliffe looks at a pair of cyberpunk infused sci-fi films from 1992… The year is 1992. Video shops are still a thing. I spend many an hour perusing them and there are a number of VHS covers that stamp themselves into my brain and will remain fresh in my mind almost 30 years. These […]

Filed Under: Articles and Opinions, Movies, Tom Jolliffe Tagged With: Albert Pyun, Alun Armstrong, Kim Cattrall, nemesis, Olivier Gruner, Pete Postlethwaite, Rutger Hauer, Split Second, Tim Thomerson, Tony Maylam

The Cinematic DNA of The Batman

April 3, 2022 by Tom Jolliffe

Tom Jolliffe looks at Matt Reeves’ The Batman, and the movie influences littered within… So The Batman has settled itself in cinemas across the world. The box office coffers are merrily heaving and the industry itself is given a much needed extra shot of adrenaline to keep death from its door. The verdicts have largely […]

Filed Under: Articles and Opinions, Movies, Tom Jolliffe Tagged With: Alex Proyas, Batman, Blade Runner, Brandon Lee, DC, Dolph Lundgren, Matt Reeves, Robert Pattinson, Se7en, Star Wars, The Batman, The Crow, The Punisher, Zodiac

Why 2022 might just peak on April 22nd

April 16, 2022 by Tom Jolliffe

Tom Jolliffe looks at two highly anticipated and unique films due to hit cinemas on April 22nd, The Northman and The Unbearable Weight of Massive Talent… April has perennially been something of a slow month in film release terms. In more recent times, given the sheer volume of blockbuster tent-poles, (particularly those under the Marvel […]

Filed Under: Articles and Opinions, Movies, Tom Jolliffe Tagged With: Alexander Skarsgard, Anya Taylor-Joy, Björk, Nicolas Cage, Nicole Kidman, Pedro Pascal, Robert Eggers, The Northman, The Unbearable Weight of Massive Talent, Tom Gormican, Willem Dafoe

The Crow: A Cursed and Unnecessary Reboot

May 1, 2022 by Tom Jolliffe

Tom Jolliffe looks at the perpetually delayed reboot of The Crow and why it’s both cursed and unnecessary… The uninspired Hollywood reboot. It’s not a new phenomenon, but certainly in the last 15 years, there have been innumerable examples of cinematic reboots. It’s not always the case that the primo IPs, which bring with them […]

Filed Under: Articles and Opinions, Movies, Tom Jolliffe Tagged With: Alex Proyas, Bill Skarsgård, Brandon Lee, Mark Dacascos, Rupert Sanders, The Crow, The Crow: Stairway To Heaven

The Essential Action Movies of the 21st Century

May 1, 2022 by Tom Jolliffe

Tom Jolliffe offers up a list of essential 21st Century action films… As an action aficionado and self-confessed old git, I quietly nod in a small amount of agreement with Ridley Scott and Martin Scorsese’s Marvel/modern cinema shade. I grew up in an era when action was performed almost entirely in camera, with an eye […]

Filed Under: Articles and Opinions, Movies, Tom Jolliffe Tagged With: Avengement, Casino Royale, Crouching Tiger Hidden Dragon, Hero, John Wick 3: Parabellum, Mad Max: Fury Road, Minority Report, Mission: Impossible - Fallout, Ong-Bak, Snowpiercer, taken, the bourne ultimatum, The Dark Knight, The Raid, Upgrade

The Box Office Problem: The Desertion of the Cinephiles

May 5, 2022 by Tom Jolliffe

Tom Jolliffe looks at the disappointing box office returns for The Northman and The Unbearable Weight of Massive Talent, and the possible implications for cinema… The box office has been improving of late. We’re getting back to a stage of careful optimism and growth closer to the kind of numbers which films were pulling in […]

Filed Under: Articles and Opinions, Movies, Tom Jolliffe Tagged With: Everything Everywhere All at Once, Nicolas Cage, Robert Eggers, The Northman, The Unbearable Weight of Massive Talent

The Must Watch Korean Films of Cannes 2022

May 14, 2022 by Tom Jolliffe

Tom Jolliffe looks ahead to three absolutely must watch Korean films about to hit Cannes… South Korean film and TV has boomed in worldwide appeal in recent years. The Oscars success of Parasite was followed by the all consuming power of Squid Game, which was THE water cooler series of 2021. The nation appears to […]

Filed Under: Articles and Opinions, Movies, Tom Jolliffe Tagged With: Broker, Cannes, Decision to Leave, Hirokazu Koreeda, Hong Sang-soo, Hunt, Lee Jung-Jae, Park Chan-Wook, The Novelist's Film

The Return of the Raging Boll!

June 1, 2022 by Tom Jolliffe

Tom Jolliffe on the prospect of Uwe Boll returning to the director’s chair… In modern cinema, at a time when mega budget studio films are absorbing most of the finance and the vast majority of cinema exhibition space, there has been a shift in the medium. Cinema started as a place of creative expression, where […]

Filed Under: Articles and Opinions, Movies, Tom Jolliffe Tagged With: Alone in the dark, bloodrayne, Hanau, house of the dead, In the Name of the King: A Dungeon Siege Tale, Ness, Postal, Rampage, The Untouchables, Uwe Boll

James Caan’s Finest Hour: Thief

July 11, 2022 by Tom Jolliffe

We look back at the iconic work of the late, great James Caan and take a deep dive into the underrated neo-noir masterpiece Thief, with Caan at his fiery, mesmeric best…  The sad news has broken. Another cinematic icon has left us, leaving behind an awe inspiring legacy. James Caan for a time, was synonymous […]

Filed Under: Articles and Opinions, Movies, Tom Jolliffe Tagged With: Elf, Eraser, Honeymoon in Vegas, James Caan, Michael Mann, Mickey Blue Eyes, Misery, rollerball, The Gambler, The Godfather, The Killer Elite, thief

A Forgotten Sylvester Stallone Gem: Lock Up

July 1, 2022 by Tom Jolliffe

Tom Jolliffe looks back at Lock Up, one of Sylvester Stallone’s less heralded peak era films… 1989. Sylvester Stallone had topped the mountain in the 80’s. It all came to a head in 1985 when Rocky IV and Rambo: First Blood Part II dominated the box office. In today’s world, it was akin to having […]

Filed Under: Articles and Opinions, Movies, Tom Jolliffe Tagged With: Donald Sutherland, Frank McRae, John Flynn, lock up, Sonny Landham, Sylvester Stallone, Tom Sizemore

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