Sean Wilson takes a closer look at the latest captivating collaboration between director Nicolas Winding Refn and composer Cliff Martinez… Filmmaker Nicolas Winding Refn doesn’t court controversy and outrage so much as revel in it, and his latest hallucinatory nightmare The Neon Demon is no exception. A surrealistic and increasingly shocking tale of the fashion […]
7 awe-inspiring tracks from David Arnold’s classic Independence Day score
Ahead of the release of Independence Day: Resurgence, Sean Wilson remembers one of the first movie’s greatest assets in the form of David Arnold’s absurdly rousing and patriotic soundtrack… However long-overdue sci-fi sequel Independence Day: Resurgence turns out, it’ll be lacking the thunderous impact of David Arnold on soundtrack duties. The British composer reportedly wasn’t even […]
Movie Review – Love & Friendship (2016)
Love & Friendship, 2016. Directed by Whit Stillman. Starring Kate Beckinsale, Chloë Sevigny, Xavier Samuel and Stephen Fry. SYNOPSIS: Set in the 1790s, Love and Friendship centers on beautiful widow Lady Susan Vernon, who has come to the estate of her in-laws to wait out colorful rumors about her dalliances circulating through polite society. Whilst there, […]
Flickering Myth’s Formative Movie Experiences
Sean Wilson asks his fellow Flickering Myth writers about the film experiences that shaped their childhoods… I was more than a little startled when hit with the recent revelation that nineties family classic Free Willy this year passed its 22nd birthday. It’s not a lengthy period in the grand scheme of things but for me […]
Review – Brian Tyler live at the Royal Festival Hall
Sean Wilson reviews Iron Man 3 composer Brian Tyler’s sensational London concert… What does it take to an endure as a successful film composer in the 21st century? The answer, if you’re Brian Tyler, is versatility – and a lot of energy. Making his concert debut at London’s Royal Festival Hall on Saturday night, the […]
Tomorrowland: or The Curse of the Standalone Blockbuster
Sean Wilson re-evaluates the unfairly maligned Disney movie, and why its failure is an unfortunate reflection of the modern-day cinema industry… Just under a year ago, I appeared to be one of approximately five people on the planet who was more than a little dismayed and disheartened at the critical roasting afforded to Disney epic […]
Going Against the Critical Grain: When Expressing An Opinion Takes Bravery
Sean Wilson explores the difficulties writers face when their opinion flies in the face of the popular consensus… Film journalists such as myself frequently get slammed for daring to criticise a movie we hated: we didn’t make it, we had no idea of the stress involved in organising a small army of cast and technicians […]
Everything that’s wrong with the Batman v Superman soundtrack
Sean Wilson examines the Batman v Superman: Dawn of Justice score – and why its relentlessly noisy nature is bad news for everyone… Now, I want to preface this piece by saying that I am a massive fan of Hans Zimmer, truly one of the most innovative and compelling forces in film music (when he […]
Review – Raiders of the Lost Ark Live at the Royal Albert Hall
Sean Wilson reviews the live concert performance of John Williams’ classic, Oscar-nominated score for Raiders of the Lost Ark… Few live music experiences are more visceral than a symphony orchestra – and they didn’t come more electrifying than the sensational performance of John Williams’ seminal Raiders of the Lost Ark score at London’s Royal Albert […]
Why Ennio Morricone’s Oscar was this year’s most significant win
Sean Wilson assesses the veteran composer’s massively overdue Academy Awards success… So, the Oscars are all done for another year, the speeches have been tossed into the nearest recycling bin and the red carpet has been rolled away. Truth be told, does anybody really care? The Academy Awards, as win any awards ceremony, are utterly […]
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