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Get a glimpse of Godzilla with King of the Monsters behind-the-scenes photo

September 23, 2017 by Gary Collinson

Deep into production on Godzilla: King of the Monsters, director Michael Dougherty has taken to Twitter to share a behind-the-scenes photo from the set of the upcoming sequel, which features a cockpit in front of a projection of the legendary kaiju, presumably as a stand-in for the actor(s) to react to. Check it out here…

SEE ALSO: Godzilla: King of the Monsters director teases connection to original 1954 Godzilla

Godzilla: King of the Monsters follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species — thought to be mere myths — rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.

Godzilla: King of the Monsters is set for release on March 22nd, 2019 and sees Michael Dougherty (Krampus) directing returning Godzilla stars Sally Hawkins (Dr. Vivienne Graham) and Ken Watanabe (Dr. Ishiro Serizawa), and new additions Millie Bobby Brown (Stranger Things), Kyle Chandler (Friday Night Lights), O’Shea Jackson Jr. (Straight Outta Compton), Vera Farmiga (Bates Motel), Aisha Hinds (Star Trek Into Darkness), Charles Dance (Game of Thrones), Thomas Middleditch (Silicon Valley), Zhang Ziyi (The Grandmaster), Randy Havens (Stranger Things) and Elizabeth Ludlow (The Walking Dead).

Filed Under: Uncategorized Tagged With: Godzilla, Godzilla: King of the Monsters

About Gary Collinson

Gary Collinson is Founder and Editor-in-Chief of Flickering Myth. He is a film, television and digital content writer and producer, whose work includes the gothic horror feature The Baby in the Basket, suspense thriller Death Among the Pines, and horror franchise reboot Robert Returns. He is also the author of Holy Franchise, Batman! Bringing the Caped Crusader to the Screen.

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