Amadeus, 1984. Directed by Miloš Forman. Starring F. Murray Abraham, Tom Hulce, Elizabeth Berridge, Simon Callow, Roy Dotrice, Christine Ebersole, Jeffrey Jones, and Charles Kay. SYNOPSIS: Miloš Forman and Peter Shaffer’s 1984 classic Amadeus gets its debut on 4K Ultra HD, although you’ll only find the theatrical version here, and the bonus features are a […]
10 Essential Films From 1984
It’s time to venture back 40 years as we look at the best movies of 1984… The 80s were a glorious era for movies and music. As the years drift on, the kids born and raised in the decade such as me, suddenly find themselves in their 40s, careering headlong to the big 5-0. When […]
Academy Re-Awards: Fixing the Best Picture Oscar Winners of the 1980s
Coinciding with the Oscars, we take a trip back to the 1980s to fix the Best Picture winners… The Oscars are upon us. Year after year, controversy and debate rages, over the nominations, the oversights and the eventual winners. Over the years there have been plenty of safe and so-so choices for Best Picture at […]
Orion Pictures: A Comforting Mark of Quality in VHS-era Film
Tom Jolliffe takes a look back at Orion Pictures… There are several things that happen before a film begins. If you’re at the cinema, or if you remember watching through VHS in particular (and still with some DVD/Blu-rays), you’ll sit through some trailers. Then once they pass comes those recognisable logos from distributors and production […]
Amadeus 35 Years On: What happened to the cast and director?
Tom Jolliffe takes a look back at Amadeus which ruled all at the 1985 Oscars, and what happened to the director and leads… It was at the 1985 Academy Awards that Milos Forman’s epic eschew on the history of Wolfgang Amadeus Mozart (based on Peter Shaffer’s stage play and adapted to screen by him too), […]
The Art of the Visually Striking Film
Tom Jolliffe looks at the art of making visually beautiful films… Cinema is a visual medium. A way to tell stories through a combination of visuals and sound, through script and direction, and the manipulation of the editing. Some films are emotionally crushing, involving, gripping. Some are audio-visual sensory overloads. Directors can opt for a […]
